Mono Vs Stereo Room Mic

With true stereo recordings two mics will capture a more realistic sounding audio like the instrument is there in the room. Mono microphones can also pick up sounds at a greater distance than stereo microphones again because their pickup pattern is more focused and extraneous noise is reduced. Any distant stereo image i need can be achieved with pzm mics on the floor or walls or by using a figure 8 ribbon for overheads or a combination of all of that.

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Mono microphones can also pick up sounds at a greater distance than stereo microphones again because their pickup pattern is more focused and extraneous noise is reduced.

Mono vs stereo room mic.

Stereo or stereophonic sound is the reproduction of sound using two or more independent audio channels in a way that creates the impression of sound heard from various directions as in natural hearing mono monaural or monophonic sound reproduction has audio in a single channel often centered in the sound field. Keep in mind duplicating a mono recording will not make it a stereo recording. And stereo stereophonic are classification of sound. Stereo microphones stereo microphones have two microphone elements and are designed to give you a wider more immersive sound field than mono microphones.

I enjoy a mono room mic anywhere from 6 20 feet back 4 10 feet high dead center on the drums. If you record in mono then copy and paste that recording into a new track it will just make the recording louder rather than fuller. Stereo microphones stereo microphones have two microphone elements and are designed to give you a wider more immersive sound field than mono microphones. This one capsule is almost always facing forward designed to be pointed at the desired sound source and for this reason mono microphones are also known as directional microphones.

Mono microphones also known as directional microphones put very simply a mono microphone uses a single microphone capsule to record a single track of audio.

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